Fleda mused a moment. "That's what she came to do with me," she then honestly returned. "But what did she expect to get of you, with your opposition so marked from the first?" "I think I can understand well enough when I know what's to be understood," the young man asserted. "But I hope you won't mind my saying that you've kept me pretty well in the dark about that. I've been waiting, waiting, waiting; so much has depended on your news. If you've been working for me I'm afraid it has been a thankless job. Can't she say what she'll do, one way or the other? I can't tell in the least where I am, you know. I haven't really learnt from you, since I saw you there, where she is. You wrote me to be patient, and upon my soul I have been. But I'm afraid you don't quite realize what I'm to be patient with. At Waterbath, don't you know? I've simply to account and answer for the damned things. Mona looks at me and waits, and I, hang it, I look at you and do the same." Fleda had gathered fuller confidence as he continued; so plain was it that she had succeeded in not dropping into his mind the spark that might produce the glimmer invoked by his mother. But even this fine assurance gave a start when, after an appealing pause, he went on: "I hope, you know, that after all you're not keeping anything back from me."!

"I'm sure I don't remember." Wandering through clear chambers where the general effect made preferences almost as impossible as if they had been shocks, pausing at open doors where vistas were long and bland, she would, even if she had not already known, have discovered for herself that Poynton was the record of a life. It was written in great syllables of color and form, the tongues of other countries and the hands of rare artists. It was all France and Italy, with their ages composed to rest. For England you looked out of old windows—it was England that was the wide embrace. While outside, on the low terraces, she contradicted gardeners and refined on nature, Mrs. Gereth left her guest to finger fondly the brasses that Louis Quinze might have thumbed, to sit with Venetian velvets just held in a loving palm, to hang over cases of enamels and pass and repass before cabinets. There were not many pictures—the panels and the stuffs were themselves the picture; and in all the great wainscoted house there was not an inch of pasted paper. What struck Fleda most in it was the high pride of her friend's taste, a fine arrogance, a sense of style which, however amused and amusing, never compromised nor stooped. She felt indeed, as this lady had intimated to her that she would, both a respect and a compassion that she had not known before; the vision of the coming surrender filled her with an equal pain. To give it all up, to die to it—that thought ached in her breast. She herself could imagine clinging there with a closeness separate from dignity. To have created such a place was to have had dignity enough; when there was a question of defending it the fiercest attitude was the right one. After so intense a taking of possession she too was to give it up; for she reflected that if Mrs. Gereth's remaining there would have offered her a sort of future—stretching away in safe years on the other side of a gulf—the advent of the others could only be, by the same law, a great vague menace, the ruffling of a still water. Such were the emotions of a hungry girl whose sensibility was almost as great as her opportunities for comparison had been small. The museums had done something for her, but nature had done more.

"The honor and good name of a man you hate?" Fleda wondered whether Mona did; and this made it all the finer of her to exclaim in a moment: "You don't know what I shall call her if she holds out!" "Are you sure?"